This is not directly a gaming
post by any means save in the vaguest of senses so if me blathering on about my
influences and comics from 35 years ago aren’t your thing then feel free to
happily skip this one. More interesting stuff will come.
One of the bigger inspirations
for the galaxy crawl was an old marvel magazine called Epic Illustrated.
Very much like the Heavy Metal of its day (itself, initially just an
Americanized version of Metal Hurlant where most of HM’s early strips first
appeared) - but while Heavy Metal was still (at that time) very much hooked
into the Euro comics scene (where a bunch of other influences come into play -
Moebius, Drullet, etc. multiple cetera) Epic was all about promoting American
(mostly) artists and writers….while also giving some marvel folk the place to
do let’s just say untraditional material. Lots of the stuff in there
(especially the Ostrander) is VERY appendix N in flavour, style, and direct
influence IMO.
There was an adaptation of Almuric in the early
issues that was I think my exposure to non-Conan, Howard fiction. It was
favorable. Also Sword & Planet. There was a LOT of Sword & Planet in
Epic, though not nearly as much as in HM. A good balance of post-apocalyptic
stuff too (It was the 80s after all). Like, Cobalt-60, which was, however indirectly,
was my first exposure (it was by his kid I think) to Vaughn Bode, which led me
to Crumb and all that later on when I was a bit taller. (But only a bit, I was
a curious kid.)
Other notable and memorable bits
I recall were P. Craig Russel’s Dreaming City (but that had already appeared in
Star Reach I think) and Wendy Pini did a weird little tie in to their Elfquest
comic in one issue. (Like I said the
magazine was random. Not that there was a dearth of magazine sized comics in
the early 1980s. Fewer if you take out
Mad and Cracked and that lot.) There was some Corben I think, though not nearly as much
as in HM; probably because of the nudity.
as in HM; probably because of the nudity.
Eventually Epic was (briefly) successful enough - well “successful” in that the magazine itself ended
but the imprint, sort of a proto-Vertigo lingered on for many years, giving us
Dreadstar (more Ostrander), the Alien Legion (a HUGE influence on the thing),
and a few others besides. I loved that imprint. (And it was all over the
place too. Swords of the Swashbucklers (sort of adolescent girl escape story
meets Crawljammer style space pirates – it was a lot of fun), Stray Toasters
(by Sienkiewicz) and Groo were all put out at the same time as the rest of this
stuff.
Anyway, I’m getting off topic.
Nagrul (below) originally appeared in Heavy Metal back in the 70s but I
didn’t know that when I first saw it in a later issue of Epic Illustrated (in
the 20s I think) - I read this right when I was sinking my teeth in Moorcock’s
other characters besides Elric, and the whole idea of cyclic time and cycles of
doom really appealed to me - and still does, from a story standpoint.)
But also the way the panels mate the classical with the cosmic.
Like Kirby’s Thor and New Gods, it nailed the idea in my imagination that myth
cycles taken onto a cosmic scale are, well, very appropriately….mythic.
Especially to a jaded audience from today that has no trouble comprehending the
idea that symbols evolve, but the meanings remain.
Wow that got deep. To the point then, Nagrul Rising. A direct inspiration in
some ways to the sort of galaxy crawl meta setting that’s emerging, though a strong tonal one as well. But mostly, just a cool seven page epic from Epic.
some ways to the sort of galaxy crawl meta setting that’s emerging, though a strong tonal one as well. But mostly, just a cool seven page epic from Epic.
This was from Epic Illustrated so yes there’s sex & violence. It’s a myth after all.
Dude totally looks like Nicol Williamson from Excalibur. |
Back when I ran a crapton of Werewolf the Apocalypse in the late 90s this spread always came to mind with regard to the Apocalypse. Still does. |
Loving the Four Nazgul of the Apocalpse thing gong on here. |
At some point, I need to sit down and scribble out why Bill Mantlo is one of the greats of
comics and def. one of those lucky few who warped my tiny little mind growing up.
We all have our inspirational and creative debts; the muse dictates that we pay it forward.
comics and def. one of those lucky few who warped my tiny little mind growing up.
We all have our inspirational and creative debts; the muse dictates that we pay it forward.